Monteiro shows she's
the real deal
By Cheryl Kain
August 11,
2006
In a sheer red shirt, sky-high peep-toe heels and
effortless charisma, jazz vocalist Shawnn Monteiro took the stage at the
Provincetown Art Association and Museum (PAAM) last Wednesday for the Summer
Jazz Series, Hosted by
"I buy fans everywhere I
go," added Monteiro. Her ornate fans marry function and form -- as they cool
her, they match her colorful outfits. Make no mistake, this is no diva sporting
attitude but not delivering on the real goods. She's the "real deal" as the jazz
greats say. Whether the nicely sized audience came out purely for the air
conditioning or to hear Monteiro, it didn't matter - they were in store for a
real treat listening to the late renowned bassist (and Duke Ellington veteran)
Jimmy Woode's daughter show off her pipes. As early as the first tune, audience
members were tapping their feet keeping time with the stellar rhythm section.
Monteiro's specialty is "The
American Songbook," and her rendition of "Old Devil Moon" sounded completely
new, as if it had never been sung before, peppered with Shawnn's sex appeal and
sass. "Blue Skies" was smooth as silk, complete with melodic scat, transitioned
into Thelonious Monk's "In Walked Bud." The two tunes together made for a
brilliant composition. Unlike some modern cabaret or musical theatre singers who
consider themselves high priestesses of jazz, when Monteiro sings, you know
immediately this woman has lived inside her songs and earned the right to call
herself a jazz singer. She takes the classic songbook and makes them completely
and inimitably her own.
"Yesterdays'" rubato
beginning flowed into snappy time, a beautiful merger between Monteiro and her
longtime (30 years) pianist and collaborator John Harrison. In "What is This
Thing Called Love," a sweet ballad swells into an Afro-Cuban feel, with drummer
Fitting in "It Might As Well
Be Spring," "Am I Blue," and "Squeeze Me," among other tunes, including
"Sometimes I'm Happy," with tasty walking bass by Boles. Monteiro ended the set
with the encore, "Ferris Wheel," a haunting song written by her dear friend, the
late singer/actor/composer Carl Anderson, who performed his composition years
ago with Nancy Wilson. "Ferris Wheel" is a favorite of fans in
The Jazz Series is sponsored
by PAAM,